Dambudzo marechera death archive#

My first encounter with Flora Veit-Wild is through a literature journal just under two decades ago. Reincarnating Marechera is 59 pages of вЂњnotesвЂќ, compared with the 258 pages of Some Writers, and is part of the 2020 Pamphlet Series of commissioned essays on poetics, translation, performance, collective work, pedagogy and small-press publishing.

Dambudzo marechera death archive#

To encounter his scholarly creativity this time, through Reincarnating Marechera: Notes on a Speculative Archive (Ugly Duckling Presse, 2020), is to engage with another product of in-depth archival and curiosity-driven research. Mushakavanhu is a creative writer-cum-literary scholar-cum-cultural activist. And last because of its encyclopaedic ambiance and the carefully selected quotes that make it an easy, quick yet kaleidoscopic read offering multiple insights and lessons on Zimbabwean writers. The book stands out, first because of its unusual cover, which features its table of contents, and second because of its richly nuanced pages of multiple layout designs, photographs, font types, newspaper excerpts and handwriting. My first encounter with Tinashe MushakavanhuвЂ™s work is through his joint project with graphic designer, educator and associate professor Nontsikelelo Mutiti, Some Writers Can Give You Two Heartbeats, published in 2019. At this point, everything I hear from comrades about his books and his personality makes me conclude I am never going to read him.ДЇor a while, in my imagination, Marechera stayed a privileged, sexist, male writer who could choose a risky lifestyle that would glorify him вЂ“ glorification that would earn women vilification for similar behaviours. My first encounter with Dambudzo Marechera is in a country to the north of South Africa.

For a while he stayed a woman in my imagination. At this point I donвЂ™t know his story or reputations. My first encounter with Dambudzo Marechera is at assembly at an out-of-the-way rural boarding school.